Las óleos de todo Cornelis Ketel
ID Image  Painting (From A to Z)       Details 
81043  
Cornelis Ketel, Double Portrait of a Brother and Sister
  		 Double Portrait of a Brother and Sister   ca. 1604(1604)? Medium Oil cyf
85664  
Cornelis Ketel, Portrait of a Woman
  		 Portrait of a Woman   oil on panel, 83 x 67.3 cm cyf
82021  
Cornelis Ketel, Portrait of a Woman aged 56 in 1594
  		 Portrait of a Woman aged 56 in 1594   Portrait of a Woman aged 56 in 1594, oil on panel, 83 x 67.3 cm, Museo Thyssen-Bornemisza, Madrid. cjr
78090  
Cornelis Ketel, Portrait of Jacob Cornelisz Banjaert
  		 Portrait of Jacob Cornelisz Banjaert   1605(1605) Oil on canvas 102 x 82 cm (40.2 x 32.3 in) cjr
81399  
Cornelis Ketel, Portrait of Jacob Cornelisz Banjaert
  		 Portrait of Jacob Cornelisz Banjaert   1605(1605) Medium Oil on canvas Dimensions 102 x 82 cm (40.2 x 32.3 in) cyf
92836  
Cornelis Ketel, Richard Goodricke of Ribston, Yorkshire
  		 Richard Goodricke of Ribston, Yorkshire   c. 1578(1578) Medium oil on oak Dimensions 106 X 81 cm (41.7 X 31.9 in) cjr
41417  
Cornelis Ketel, Sir Martin Frobisher
  		 Sir Martin Frobisher   mk160 he is wearing a sailor-s cord round his neck
97177  
Cornelis Ketel, Sir Thomas Cecil
  		 Sir Thomas Cecil   circa 1575(1575) Medium oil on panel Dimensions 36.5 X 29.5 in cyf
2150  
Cornelis Ketel, Thomas Pead
  		 Thomas Pead   1578
Cornelis Ketel
Flemish (Resident in UK) 1548-1616 Cornelis or Cornelius Ketel (Gouda, 18 March 1548 ?C Amsterdam, 8 August 1616) was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam from 1581 to the early 1600s, now known essentially as a portrait-painter, though he was also a poet and orator, and from 1595 began to sculpt as well. According to Ketel's biography, written by his contemporary Karel van Mander, he seems to have wanted to concentrate on the most prestigious of the hierarchy of genres, history painting, which included mythological subjects, but after he left France he is known almost entirely as a portrait-painter. Neither England nor Holland had much demand for large history paintings during his lifetime, and none of Ketel's histories or allegorical paintings are known to have survived intact, although drawings and prints survive. He did however significantly influence the development of the largest type of painting commonly produced in the United Provinces at this period, the civic group portrait



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